Kiki Button—war veteran, party girl, detective, and spy—finds that she can’t outrun her past exploits, even in the glittering world of Jazz Age Paris.
Paris in 1921 is the city of freedom, where hatless and footloose Kiki Button can drink champagne and dance until dawn. She works as a gossip columnist, partying with the rich and famous, the bohemian and strange, using every moment to create a new woman from the ashes of her war-worn self.
While on the modelling dais, Picasso gives her a job: to find his wife’s portrait, which has gone mysteriously missing. That same night, her spymaster from the war contacts her—she has to find a double agent or face jail. Through parties, whisky, and seductive informants, Kiki uses her knowledge of Paris from the Great War to connect the clues.
Set over the course of one springtime week, April in Paris, 1921 is a mystery that combines artistic gossip with interwar political history through witty banter, steamy scenes, and fast action.
Always the black sheep of the tight-knit Quincy clan, Nell is cautious when she’s summoned to the elegantly shabby family manor after her great-aunt Loulou’s death. A cold reception from the family grows chillier when they learn Loulou has left Nell a fantastically valuable heirloom: an ornate necklace from India that Nell finds stashed in a Crown Royal whiskey bag in the back of a dresser. As predatory relatives circle and art experts begin to question the necklace’s provenance, Nell turns to the only person she thinks she can trust—the attractive and ambitious estate lawyer who definitely is not part of the old-money crowd.
More than just a piece of jewelry, the necklace links Nell to a long-buried family secret involving Ambrose Quincy, who brought the necklace home from India in the 1920s as a dramatic gift for May, the woman he intended to marry. Upon his return, he discovered that May had married his brother Ethan, the “good” Quincy, devoted to their father. As a gesture of friendship, Ambrose gave May the necklace anyway.
Crisp as a gin martini, fresh as a twist of lime, The Necklace is the charming and intoxicating story “written with wit, compassion, and a meticulous attention to period and cultural detail” (Kirkus Reviews) of long-simmering family resentments and a young woman who inherits a secret much more valuable than a legendary necklace.
Mary Russell and Sherlock Holmes are back in the New York Times bestselling series that Lee Child called “the most sustained feat of imagination in mystery fiction today.”
A June summer’s evening, on the Sussex Downs, in 1925. Mary Russell and Sherlock Holmes are strolling across their orchard when the telephone rings: an old friend’s beloved aunt has failed to return following a supervised outing from Bedlam. After the previous few weeks—with a bloody murder, a terrible loss, and startling revelations about Holmes—Russell is feeling a bit unbalanced herself. The last thing she wants is to deal with the mad, and yet, she can’t say no.
The Lady Vivian Beaconsfield has spent most of her adult life in one asylum after another, yet he seemed to be improving—or at least, finding a point of balance in her madness. So why did she disappear? Did she take the family’s jewels with her, or did someone else? The Bedlam nurse, perhaps?
The trail leads Russell and Holmes through Bedlam’s stony halls to the warm Venice lagoon, where ethereal beauty is jarred by Mussolini’s Blackshirts, where the gilded Lido set may be tempting a madwoman, and where Cole Porter sits at a piano, playing with ideas…
Watercolorist Olivia Rutherford has shet her humble beginnings to fashion her image as an avant-garde artist to appeal to the region’s wealthy art-collectors. When she lands a lucrative contract painting illustrations of Yosemite National Park for a travel magazine, including its nightly one-of-a-kind Firefall event, she hopes the money will lift Olivia and her sisters out of poverty.
After false accusations cost him everything, former minister Clark Johnson has found purpose as a backcountry guide in this natural cathedral of granite and trees. Now he’s faced with the opportunity to become a National Parks Ranger, but is it his true calling?
As Clark opens Olivia’s eyes to the wonders of Yosemite, she discovers the people are as vital to the park’s story as its vistas—a revelation that may bring her charade to an end.
In 1920s England, a young woman discovers that her supposedly dead father is still alive and living in London with his new socially prominent family, whose happiness she sets out to destroy.
Raised in a poor yet genteel household, Rachel Woodley is working in France as a governess when she receives news that her mother has died, suddenly. Grief-stricken, she returns to the small town in England where she was raised to clear out the cottage...and finds a cutting from a London society magazine, with a photograph of her supposedly deceased father dated all of three months before. He's an earl, respected and influential, and he is standing with another daughter -- his legitimate daughter. Which makes Rachel...not legitimate. Everything she thought she knew about herself and her past -- even her very name -- is a lie.
Still reeling from the death of her mother, and furious at this betrayal, Rachel sets herself up in London under a new identity. There she insinuates herself into the party-going crowd of Bright Young Things, with a steely determination to unveil her father's perfidy and bring his -- and her half-sister's -- charmed world crashing down. Very soon, however, Rachel faces two unexpected snags: she finds that she genuinely likes her half-sister, Olivia, whose situation isn't as simple it appears; and that she might just be falling for her sister's fiancé...
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